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In the Pale Moonlight: differenze tra le versioni

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Riga 111: Riga 111:
       END OF TEASER</pre>
       END OF TEASER</pre>
* Durante il gioco delle parti in cui Dax risponde come fosse un [[Romulani|Romulano]], nell'episodio non vengono dette le seguenti battute (la parte in grigio è quella presente nell'episodio):
* Durante il gioco delle parti in cui Dax risponde come fosse un [[Romulani|Romulano]], nell'episodio non vengono dette le seguenti battute (la parte in grigio è quella presente nell'episodio):
<pre>    DAX
    DAX
   You're asking me to start a war
   You're asking me to start a war
   based on wild theories.
   based on wild theories.
 
 
     SISKO
     SISKO
   They're not theories, they're facts!
   They're not theories, they're facts!
 
 
     DAX
     DAX
   Prove it!
   Prove it!
 
 
     SISKO
     SISKO
   How?
   How?
 
 
     DAX
     DAX
   That's your problem. But <span style="color:#C0C0C0;">before
   That's your problem. But <span style="color:#C0C0C0;">before
   I plunge my people into a conflict
   I plunge my people into a conflict
   that'll kill millions of loyal
   that'll kill millions of loyal
   Romulan citizens, I'll need...</span></pre>
   Romulan citizens, I'll need...</span>
* Quando Sisko convoca [[Elim Garak|Garak]], è stata tagliata una parte di dialogo (la prima e l'ultima battuta in grigio sono quelle presenti nell'episodio):
* Quando Sisko convoca [[Elim Garak|Garak]], è stata tagliata una parte di dialogo (la prima e l'ultima battuta in grigio sono quelle presenti nell'episodio):
<pre>    <span style="color:#C0C0C0;">GARAK
    <span style="color:#C0C0C0;">GARAK
   Your faith in my ability to
   Your faith in my ability to
   retrieve classified information
   retrieve classified information
   from my former homeland is most
   from my former homeland is most
   gratifying.</span>
   gratifying.</span>
 
 
     SISKO
     SISKO
   I'm happy that you're happy. Now,
   I'm happy that you're happy. Now,
   can you do it?
   can you do it?
 
 
  Garak pauses for a moment, then shifts gears.
  Garak pauses for a moment, then shifts gears.
 
 
     GARAK
     GARAK
   You know, I had assumed this
   You know, I had assumed this
Riga 152: Riga 152:
   exaggerated cut of the jacket
   exaggerated cut of the jacket
   hemline emphasizing the--
   hemline emphasizing the--
 
 
     <span style="color:#C0C0C0;">SISKO
     <span style="color:#C0C0C0;">SISKO
   Mister Garak. Let's dispense with
   Mister Garak. Let's dispense with
   the usual repartee and concentrate
   the usual repartee and concentrate
   on the issue at hand. Can you do
   on the issue at hand. Can you do
   the job or not?</span></pre>
   the job or not?</span>
* Nel bar di Quark, quando Sisko ha offerto la <i>tangente</i> per non sporgere denuncia e Quark l'ha accettata, dopo la citazione della [[Regole dell'Acquisizione|Regola dell'Acquisizione]] «Every man has his price» era prevista la scena seguente:
* Nel bar di Quark, quando Sisko ha offerto la <i>tangente</i> per non sporgere denuncia e Quark l'ha accettata, dopo la citazione della [[Regole dell'Acquisizione|Regola dell'Acquisizione]] «Every man has his price» era prevista la scena seguente:
<pre> Sisko gets up and heads for Odo just as Garak ENTERS
<pre> Sisko gets up and heads for Odo just as Garak ENTERS
Riga 197: Riga 197:
  Sisko turns and EXITS.</pre>
  Sisko turns and EXITS.</pre>
* Dopo che [[Grathon Tolar|Tolar]] ha registrato il programma olografico sulla barra-dati e Sisko gli ha <i>chiarito</i> che è meglio per lui che il lavoro sia fatto ad opera d'arte, era prevista questa scena (la prima e l'ultima battuta in grigio sono quelle presenti nell'episodio):
* Dopo che [[Grathon Tolar|Tolar]] ha registrato il programma olografico sulla barra-dati e Sisko gli ha <i>chiarito</i> che è meglio per lui che il lavoro sia fatto ad opera d'arte, era prevista questa scena (la prima e l'ultima battuta in grigio sono quelle presenti nell'episodio):
<pre>    <span style="color:#C0C0C0;">GARAK
    <span style="color:#C0C0C0;">GARAK
   I sincerely hope so. Why don't
   I sincerely hope so. Why don't
   you wait in your quarters. I'll
   you wait in your quarters. I'll
   be along shortly to... say hello.</span>
   be along shortly to... say hello.</span>
 
 
  Tolar looks at the two of them with fear for a moment,
  Tolar looks at the two of them with fear for a moment,
  then EXITS.  
  then EXITS.  
 
 
     GARAK
     GARAK
   Felt good, didn't it?
   Felt good, didn't it?
 
 
  Sisko looks at him, taken a little off-guard by the
  Sisko looks at him, taken a little off-guard by the
  question.
  question.
 
 
     GARAK
     GARAK
     (continuing)
     (continuing)
Riga 222: Riga 222:
   force to be a... refreshing change
   force to be a... refreshing change
   of pace.
   of pace.
 
 
  Garak smiles at him pleasantly. There may be an
  Garak smiles at him pleasantly. There may be an
  element of truth in what he's saying, but what Sisko
  element of truth in what he's saying, but what Sisko
Riga 228: Riga 228:
  prodding at his psyche. Sisko begins to smile at the
  prodding at his psyche. Sisko begins to smile at the
  absurdity of it all.
  absurdity of it all.
 
 
     SISKO
     SISKO
   Mister Garak... why is it that no
   Mister Garak... why is it that no
   one has killed you yet?
   one has killed you yet?
 
 
     GARAK
     GARAK
   My innate charm?
   My innate charm?
 
 
  Sisko laughs and Garak smiles wider. Sisko laughs
  Sisko laughs and Garak smiles wider. Sisko laughs
  louder -- it's a release of tension and anxiety that's
  louder -- it's a release of tension and anxiety that's
  been building in him for over a week. As he laughs...
  been building in him for over a week. As he laughs...
 
 
         CUT TO:
         CUT TO:
 
 
22  INT. SISKO'S QUARTERS
  22  INT. SISKO'S QUARTERS
 
 
  Sisko is standing behind the couch, and while there's
  Sisko is standing behind the couch, and while there's
  a smile on his face at the memory, there's a bitter,
  a smile on his face at the memory, there's a bitter,
  rueful quality to his expression.
  rueful quality to his expression.
 
 
     SISKO
     SISKO
   It wasn't that funny. But I
   It wasn't that funny. But I
Riga 254: Riga 254:
   <span style="color:#C0C0C0;">Maybe... I was under more pressure
   <span style="color:#C0C0C0;">Maybe... I was under more pressure
   than I realized. Maybe it really
   than I realized. Maybe it really
   was starting to get to me.</span></pre>
   was starting to get to me.</span>
* Dopo che [[Vreenak|Vreenak]] ha visto la registrazione e vuole controllare l'autenticità della barra dati, era prevista la seguente scena tra Dax e Sisko (l'ultima battuta in grigio è presente nell'episodio):
* Dopo che [[Vreenak|Vreenak]] ha visto la registrazione e vuole controllare l'autenticità della barra dati, era prevista la seguente scena tra Dax e Sisko (l'ultima battuta in grigio è presente nell'episodio):
<pre>37  INT. CAPTAIN'S OFFICE
  37  INT. CAPTAIN'S OFFICE
 
 
  Sisko is pacing in his office, lost in thought when Dax
  Sisko is pacing in his office, lost in thought when Dax
  ENTERS.
  ENTERS.
Riga 263: Riga 263:
     DAX
     DAX
   Got a minute?
   Got a minute?
 
 
     SISKO
     SISKO
   Sure. What can I do for you?
   Sure. What can I do for you?
 
 
  Dax takes her time, this is a delicate subject and she
  Dax takes her time, this is a delicate subject and she
  doesn't want to rush into anything.
  doesn't want to rush into anything.
 
 
     DAX
     DAX
   This may sound... crazy. But,
   This may sound... crazy. But,
   think about it before you say no.
   think about it before you say no.
 
 
     SISKO
     SISKO
   Just say it.
   Just say it.
 
 
  Beat.
  Beat.
 
 
     DAX
     DAX
   What if we... tricked the Romulans
   What if we... tricked the Romulans
   into believing that the Dominion
   into believing that the Dominion
   was about to attack them?
   was about to attack them?
 
 
  Sisko is thunderstruck for a moment and Dax takes it
  Sisko is thunderstruck for a moment and Dax takes it
  as a reaction to her crazy idea.
  as a reaction to her crazy idea.
 
 
     DAX
     DAX
   Hear me out.
   Hear me out.
Riga 301: Riga 301:
   to convince them that they're one
   to convince them that they're one
   step away from disaster.
   step away from disaster.
 
 
  Sisko takes a moment, decides to become his own devil's
  Sisko takes a moment, decides to become his own devil's
  advocate.
  advocate.
 
 
     SISKO
     SISKO
   You want to start a war based on
   You want to start a war based on
   a lie?
   a lie?
 
 
     DAX
     DAX
   I want to end a war, Benjamin.
   I want to end a war, Benjamin.
Riga 318: Riga 318:
   them a favor by pulling them in
   them a favor by pulling them in
   now.
   now.
 
 
     SISKO
     SISKO
     (hard)
     (hard)
Riga 324: Riga 324:
   rationalizing something you know
   rationalizing something you know
   is wrong.
   is wrong.
 
 
  Dax takes a beat, goes cold and hard.
  Dax takes a beat, goes cold and hard.
 
 
     DAX
     DAX
   More wrong than war?
   More wrong than war?
 
 
  Beat.
  Beat.
 
 
     SISKO
     SISKO
   I'll... think about it.
   I'll... think about it.
 
 
     DAX
     DAX
   That's all I ask.
   That's all I ask.
 
 
  She heads for the door, then stops, smiles to herself.
  She heads for the door, then stops, smiles to herself.
 
 
     DAX
     DAX
   I suppose it's one thing to come
   I suppose it's one thing to come
   up with an idea like this... and
   up with an idea like this... and
   another to put it into motion.
   another to put it into motion.
 
 
     SISKO
     SISKO
     (re: pips)
     (re: pips)
   That's why they put these on my
   That's why they put these on my
   collar, old man.
   collar, old man.
 
 
  She smiles at him and then EXITS.
  She smiles at him and then EXITS.
 
 
38  INT. SISKO'S QUARTERS
  38  INT. SISKO'S QUARTERS
 
 
  Sisko on the couch. He's got a bottle of something
  Sisko on the couch. He's got a bottle of something
  dark and amber now and he pours himself a drink.
  dark and amber now and he pours himself a drink.
 
 
     SISKO
     SISKO
   It was good to know that the old
   It was good to know that the old
Riga 367: Riga 367:
   nothing to do but wait and see how
   nothing to do but wait and see how
   masterful Tolar's forgery really
   masterful Tolar's forgery really
   was.</span></pre>
   was.</span>


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