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Riga 86: Riga 86:
=== Scene tagliate ===
=== Scene tagliate ===


* [T:10:30] Nell'episodio non è presente uno scambio di battute tra la [[Katherine Pulaski|Pulaski]] e La Forge nel Ten Forward. Le parti in grigio sono le battute presenti nell'episodio:<pre>
* [T:10:30] Nell'episodio non è presente uno scambio di battute tra la [[Katherine Pulaski|Pulaski]] e La Forge nel Ten Forward. Le parti in grigio sono le battute presenti nell'episodio:
                                         PULASKI
                                         PULASKI
                         <span style="color:#C0C0C0;">Yes, Holmes as well, but Holmes
                         <span style="color:#C0C0C0;">Yes, Holmes as well, but Holmes
Riga 97: Riga 97:
                         -- combined with human intuition
                         -- combined with human intuition
                         for which he cannot be programmed.
                         for which he cannot be programmed.
 
                                         GEORDI
                                         GEORDI
                         I disagree -- totally.
                         I disagree -- totally.
 
                                         PULASKI
                                         PULASKI
                         His victory at playing Sherlock
                         His victory at playing Sherlock
Riga 107: Riga 107:
                         of information without any true
                         of information without any true
                         understanding.
                         understanding.
 
                                         GEORDI
                                         GEORDI
                         <span style="color:#C0C0C0;">You're being unfair.</span>
                         <span style="color:#C0C0C0;">You're being unfair.</span>
</pre>
* [T:11:12] Quando Data, Geordi e la dottoressa [[Katherine Pulaski|Pulaski]] stanno per entrare per la prima volta nell'[[:Category:Holodeck|holodeck]], è stata tagliata un pezzo di scena iniziale, presente nello script:<pre>
14  INT. HOLODECK - CONTROL FOYER


* [T:11:12] Quando Data, Geordi e la dottoressa [[Katherine Pulaski|Pulaski]] stanno per entrare per la prima volta nell'[[:Category:Holodeck|holodeck]], è stata tagliata un pezzo di scena iniziale, presente nello script:
14  INT. HOLODECK - CONTROL FOYER
         Geordi dressed as Watson, Data as Holmes... and
         Geordi dressed as Watson, Data as Holmes... and
         Pulaski in upper class Victorian finery, layers and
         Pulaski in upper class Victorian finery, layers and
         layers of it. She fans herself with her hand as Data
         layers of it. She fans herself with her hand as Data
         activates the Holodeck console and inputs a sequence...
         activates the Holodeck console and inputs a sequence...
 
                                         PULASKI
                                         PULASKI
                         I've never been so hot in all my
                         I've never been so hot in all my
                         life -- are these clothes really
                         life -- are these clothes really
                         necessary?
                         necessary?
 
                                         GEORDI
                                         GEORDI
                         Believe me, you'd feel out of
                         Believe me, you'd feel out of
Riga 131: Riga 131:
                         back to nineteenth century
                         back to nineteenth century
                         England.
                         England.
 
                                         PULASKI
                                         PULASKI
                         Presuming I don't pass out first.
                         Presuming I don't pass out first.
 
         She fans herself all the more... and Data's still
         She fans herself all the more... and Data's still
         inputting, as:
         inputting, as:
 
                                         DATA
                                         DATA
                         The Victorians believed that any
                         The Victorians believed that any
Riga 145: Riga 145:
                         they even went so far as to put
                         they even went so far as to put
                         skirts and cuffs and sleeves on
                         skirts and cuffs and sleeves on
                         the arms and legs of furniture.</pre>
                         the arms and legs of furniture.
* [T:15:25] Nello script è presente un approccio a Data da parte di una prostituta:<pre>
* [T:15:25] Nello script è presente un approccio a Data da parte di una prostituta:
22  LONDON STREET - ANOTHER ANGLE
22  LONDON STREET - ANOTHER ANGLE
 
         Data leading them along it, looking for what is going
         Data leading them along it, looking for what is going
         to begin this mystery. Geordi is with him, Pulaski is
         to begin this mystery. Geordi is with him, Pulaski is
         a step behind. The prostitute comes out of the shadows
         a step behind. The prostitute comes out of the shadows
         and approaches Data:
         and approaches Data:
 
                                         PROSTITUTE (WHORE)
                                         PROSTITUTE (WHORE)
                         Hello, matey. For a few bob, I
                         Hello, matey. For a few bob, I
                         can put some color in your
                         can put some color in your
                         cheeks...
                         cheeks...
 
                                         DATA
                                         DATA
                         No thank you.
                         No thank you.
 
                                         PROSTITUTE
                                         PROSTITUTE
                         "No thank you" is it?
                         "No thank you" is it?
                                 (points to thugs)
                                 (points to thugs)
                         Rather hand it over to them...
                         Rather hand it over to them...
 
         Data leads the others past them.
         Data leads the others past them.
 
23  DATA AND GEORDI
23  DATA AND GEORDI
 
         as they move along the street. The PROSTITUTE motions
         as they move along the street. The PROSTITUTE motions
         to a COUPLE of dangerous THUGS, who are eyeballing Data
         to a COUPLE of dangerous THUGS, who are eyeballing Data
Riga 177: Riga 177:
         side, PROFESSOR JAMES MORIARTY stands there as if
         side, PROFESSOR JAMES MORIARTY stands there as if
         momentarily dazed by something.
         momentarily dazed by something.
</pre>
 
* [T:21:38] È stata tolta anche la scena seguente, presente nello script. Le parti in grigio sono le battute presenti nell'episodio:<pre>
* [T:21:38] È stata tolta anche la scena seguente, presente nello script. Le parti in grigio sono le battute presenti nell'episodio:
                                       <span style="color:#C0C0C0;">GEORDI
                                       <span style="color:#C0C0C0;">GEORDI
                         Then you don't know what's coming
                         Then you don't know what's coming
                         next?
                         next?
 
                                         DATA
                                         DATA
                         No.
                         No.
 
                                         GEORDI
                                         GEORDI
                                 (still enjoying the
                                 (still enjoying the
                                 game)
                                 game)
                         That's what I wanted to hear.</span>
                         That's what I wanted to hear.</span>
 
37  LONDON STREET - ANOTHER ANGLE
37  LONDON STREET - ANOTHER ANGLE
 
         Data and Geordi leave the scene of the crime as a
         Data and Geordi leave the scene of the crime as a
         pushcart arrives to carry off the corpse and the bobby
         pushcart arrives to carry off the corpse and the bobby
         and Lestrade lead the woman away.
         and Lestrade lead the woman away.
 
38  ENTRANCE TO THE WAREHOUSE
38  ENTRANCE TO THE WAREHOUSE
 
         Data and Geordi approach. There are a couple of
         Data and Geordi approach. There are a couple of
         drunken SEAMEN staggering along the sidewalk. Nearby
         drunken SEAMEN staggering along the sidewalk. Nearby
Riga 204: Riga 204:
         vibrantly painted WHORE. A THUG comes up and grabs
         vibrantly painted WHORE. A THUG comes up and grabs
         Data's coat.
         Data's coat.
 
                                         THUG
                                         THUG
                         Do you have some coppers for a
                         Do you have some coppers for a
                         hungry man?
                         hungry man?
 
                                         WHORE
                                         WHORE
                         I'll give you some value for your
                         I'll give you some value for your
                         copper, mate...
                         copper, mate...
 
         There is an air of violence about this beggar.
         There is an air of violence about this beggar.
 
                                         DATA
                                         DATA
                         Allow us to pass.
                         Allow us to pass.
 
                                         THUG
                                         THUG
                         Give it up.
                         Give it up.
 
                                         WHORE
                                         WHORE
                         Ain't no men left in London.
                         Ain't no men left in London.
 
                                         DATA
                                         DATA
                         Release my coat or I will be
                         Release my coat or I will be
                         forced to give you a severe
                         forced to give you a severe
                         thrashing.
                         thrashing.
 
         As the thug backs off, he bumps into Geordi, then
         As the thug backs off, he bumps into Geordi, then
         pushes him aside and leaves.
         pushes him aside and leaves.
 
                                         GEORDI
                                         GEORDI
                         <span style="color:#C0C0C0;">It's getting a little rough.
                         <span style="color:#C0C0C0;">It's getting a little rough.
                         Where to, now?</span></pre>
                         Where to, now?</span>
* [T:25:54] Dopo che Data e La Forge escono dal laboratorio del professor [[James Moriarty|Moriarty]], era prevista la seguente scena:<pre>
* [T:25:54] Dopo che Data e La Forge escono dal laboratorio del professor [[James Moriarty|Moriarty]], era prevista la seguente scena:
43  LONDON STREET
43  LONDON STREET
 
     Data and Geordi come out of the warehouse. The
     Data and Geordi come out of the warehouse. The
     characters who have been inhabiting the street are more
     characters who have been inhabiting the street are more
Riga 245: Riga 245:
     them. Data uses his hands to move a legless Beggar
     them. Data uses his hands to move a legless Beggar
     out of his way. The Fellini-like scene goes on.
     out of his way. The Fellini-like scene goes on.
 
           BEGGAR                                              WHORE
           BEGGAR                                              WHORE
A few coppers, mate... Give up                      Give me some money. You got
A few coppers, mate... Give up                      Give me some money. You got
a few for a cripple.                                more than you need...
a few for a cripple.                                more than you need...
 
           BEGGAR                                              WHORE
           BEGGAR                                              WHORE
Have pity. You could be like                        Never mind her... Give it
Have pity. You could be like                        Never mind her... Give it
me... I could never be like                          here... Don't pull away.
me... I could never be like                          here... Don't pull away.
you again.
you again.
 
           BEGGAR                                              WHORE
           BEGGAR                                              WHORE
I got family... Don't let them                      They got not one to feed but
I got family... Don't let them                      They got not one to feed but
be hungry. Just a few coppers.                      their face. I got a couple
be hungry. Just a few coppers.                      their face. I got a couple
                                                     of young ones.
                                                     of young ones.
 
           BEGGAR                                              WHORE
           BEGGAR                                              WHORE
Won't mean a bit to you.                            I got me three of them. Get
Won't mean a bit to you.                            I got me three of them. Get
                                                     a few bob up Lordy.</pre>
                                                     a few bob up Lordy.
* [T:27:43] La battuta «Merde» di Picard, nello script è invece <pre>"Terrible!" (in French)</pre>.
* [T:27:43] La battuta «Merde» di Picard, nello script è invece <pre>"Terrible!" (in French)</pre>.
* [T:28:50] Nell'episodio non è presente la scena in cui Picard interpella Deanna:<pre>
* [T:28:50] Nell'episodio non è presente la scena in cui Picard interpella Deanna:
                                         PICARD
                                         PICARD
                         Counselor Troi, have you a sense
                         Counselor Troi, have you a sense
                         of our opponent?
                         of our opponent?
 
                                         TROI
                                         TROI
                         It is difficult for me to separate
                         It is difficult for me to separate
Riga 276: Riga 276:
                         this is that I should not be able
                         this is that I should not be able
                         to sense a holographic projection
                         to sense a holographic projection
                         at all -- yet I do.</pre>
                         at all -- yet I do.
* [T:35:13] Dopo la tentata rapina subita da Picard e Data, nello script era prevista la scena seguente:<pre>
* [T:35:13] Dopo la tentata rapina subita da Picard e Data, nello script era prevista la scena seguente:
55  INT. WAREHOUSE (OPTICAL)
55  INT. WAREHOUSE (OPTICAL)
 
         as they cross to the wall.
         as they cross to the wall.
 
                                         PICARD
                                         PICARD
                         Moriarty is making it very easy
                         Moriarty is making it very easy
                         for us to find him.
                         for us to find him.
 
                                         DATA
                                         DATA
                         Captain, permission to test my
                         Captain, permission to test my
                         theory.
                         theory.
 
                                         PICARD
                                         PICARD
                         Granted.
                         Granted.
 
         Data removes a PHASER from his pocket, makes a slight
         Data removes a PHASER from his pocket, makes a slight
         adjustment in the setting, then FIRES at a crate...
         adjustment in the setting, then FIRES at a crate...
 
55A  CRATE
55A  CRATE
 
         as it BLOWS UP AND DISAPPEARS.
         as it BLOWS UP AND DISAPPEARS.
 
                                         DATA
                                         DATA
                         Under normal circumstances the
                         Under normal circumstances the
                         phaser would pass right through
                         phaser would pass right through
                         the holographic image.
                         the holographic image.
 
                                         PICARD
                                         PICARD
                         How will it affect a character
                         How will it affect a character
                         like Moriarty?
                         like Moriarty?
 
                                         DATA
                                         DATA
                         The effect on him should be the
                         The effect on him should be the
                         same as it was on the crate.</pre>
                         same as it was on the crate.
* [T:35:44] Le parti in grigio sono le battute presenti nell'episodio:<pre>
* [T:35:44] Le parti in grigio sono le battute presenti nell'episodio:
                                         PULASKI
                                         PULASKI
                                 (answers Picard)
                                 (answers Picard)
                         <span style="color:#C0C0C0;">I'm fine. Except for being
                         <span style="color:#C0C0C0;">I'm fine. Except for being
                         crammed full of crumpets.</span>
                         crammed full of crumpets.</span>
 
                                         DATA
                                         DATA
                         Crumpets?
                         Crumpets?
 
                                         PULASKI
                                         PULASKI
                         You look quite dashing, Captain.
                         You look quite dashing, Captain.
                         This is the first time I get to
                         This is the first time I get to
                         see you in action.
                         see you in action.
 
                                         MORIARTY
                                         MORIARTY
                         I hope you're not disappointed.
                         I hope you're not disappointed.
 
                                         PULASKI
                                         PULASKI
                         I'm sure I won't be.
                         I'm sure I won't be.
 
                                         PICARD
                                         PICARD
                         You two have gotten awfully...
                         You two have gotten awfully...
 
                                         MORIARTY
                                         MORIARTY
                         ... chummy? Yes, this time
                         ... chummy? Yes, this time
                         together has been quite pleasant.
                         together has been quite pleasant.
                         <span style="color:#C0C0C0;">I am a civilized abductor, Captain
                         <span style="color:#C0C0C0;">I am a civilized abductor, Captain
                         Picard. Civilized but still dangerous.</span></pre>
                         Picard. Civilized but still dangerous.</span>
* [T:41:34] Dopo che Picard ha dato l'ordine di salvare il personaggio di [[James Moriarty|Moriarty]] nella memoria dell'<i>Enterprise</i>, la scena prosegue nello script in questo modo, spiegando anche il motivo per cui il foglio disegnato da [[James Moriarty|Moriarty]] è potuto uscire dal [[:Category:Holodeck|ponte ologrammi]]:<pre>
* [T:41:34] Dopo che Picard ha dato l'ordine di salvare il personaggio di [[James Moriarty|Moriarty]] nella memoria dell'<i>Enterprise</i>, la scena prosegue nello script in questo modo, spiegando anche il motivo per cui il foglio disegnato da [[James Moriarty|Moriarty]] è potuto uscire dal [[:Category:Holodeck|ponte ologrammi]]:
                                         DATA
                                         DATA
                         Right up to the end, he never
                         Right up to the end, he never
                         knew.
                         knew.
 
                                         PICARD
                                         PICARD
                         No. He didn't.
                         No. He didn't.
 
                                         PULASKI
                                         PULASKI
                         Know. Know what?
                         Know. Know what?
 
                                         PICARD
                                         PICARD
                         That he could leave the Holodeck.
                         That he could leave the Holodeck.
 
                                         PULASKI
                                         PULASKI
                         But that's not possible.
                         But that's not possible.
 
                                         DATA
                                         DATA
                         I do not know how, but for
                         I do not know how, but for
                         Moriarty it was.
                         Moriarty it was.
 
                                         PULASKI
                                         PULASKI
                         Then you lied when you told him
                         Then you lied when you told him
                         he couldn't leave the Holodeck.
                         he couldn't leave the Holodeck.
 
                                         DATA
                                         DATA
                         No, what the captain said was that
                         No, what the captain said was that
Riga 372: Riga 372:
                         Even after we review this program,
                         Even after we review this program,
                         we still may not have the answer.
                         we still may not have the answer.
 
                                         PICARD
                                         PICARD
                         Doctor, even with all his
                         Doctor, even with all his
Riga 382: Riga 382:
                         reputation through cunning and
                         reputation through cunning and
                         deceit.
                         deceit.
 
                                         PULASKI
                                         PULASKI
                         But how do you know he could leave
                         But how do you know he could leave
                         the Holodeck?
                         the Holodeck?
 
                                         PICARD
                                         PICARD
                         Data.
                         Data.
 
         Data reaches into his coat pocket and removes the paper
         Data reaches into his coat pocket and removes the paper
         on which Moriarty first drew the sketch of the
         on which Moriarty first drew the sketch of the
         Enterprise.
         Enterprise.
 
                                         PULASKI
                                         PULASKI
                         The drawing?
                         The drawing?
 
                                         DATA
                                         DATA
                         No. The paper. This piece of
                         No. The paper. This piece of
Riga 403: Riga 403:
                         leave the Holodeck, so too could
                         leave the Holodeck, so too could
                         Moriarty.
                         Moriarty.
 
                                         PULASKI
                                         PULASKI
                         I'm impressed.
                         I'm impressed.
 
                                         DATA
                                         DATA
                         It is elementary, my dear
                         It is elementary, my dear
                         Doctor... It is elementary.</pre>
                         Doctor... It is elementary.


=== Script ===
=== Script ===
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